Tylesova’s triumphant 2001 debut propelled her career on an upward climb that would see her collaborating with Phillips again and again over the next two decades. She’s since racked up no less than eight Helpmann wins for both set and costume design, including one at this year’s awards ceremony for her last collaboration with Phillips, MTC’s 2018 production of Twelfth Night. Whether or not the costumes themselves had actually worked was another thing, of course! But seeing her drawings for the first time was definitely a ‘wow’ moment.”įortunately, the reality of her designs for The Elixir of Love more than lived up to the promise of their sketches, earning her the first of many Helpmann Award nominations. “And that really resonated with me, because I’m very susceptible to that way of imagining a show. Just in terms of what she could deliver with a paintbrush, her designs were exquisitely beautiful,” Phillips recalls. “When I saw Gabriela’s first designs for the show, I remember thinking she was the most incredible painter I had ever met. Gabriela Tylesova's costume designs for Shakespeare in Love However, even from their earliest meetings, it was clear that the pair shared a similar vision. I just think, ‘Yeah, that’s cool, I want to do that.’ I don’t let worry get in the way.”Ĭonfident as Tylesova may have been in her ability to deliver costumes worthy of Opera Australia’s high standards, she was still an unknown quantity to Phillips, who had approached her on the recommendation of the production’s set designer, Michael Scott-Mitchell.
To be honest, I’ve never really ever worried about my work. “I was just really excited by the work, the chance to create something on that scale. “It didn’t scare me at all, I don’t know why really,” she candidly admits. Not only was this a coveted engagement with the nation’s flagship opera company, but the show was also to be helmed by one of Australia’s most high-profile directors: Simon Phillips, at the time the artistic director of the Melbourne Theatre Company.įor many fledgling talents, taking on such a make-or-break gig would be an intimidating prospect, but Tylesova accepted the job with an almost prescient fearlessness. As early career opportunities go, the stakes could hardly have been higher.
In 2001, having only graduated from the National Institute of Dramatic Art the previous year, the Czech-born designer was tasked with creating the costumes for Opera Australia’s new production of Donizetti’s The Elixir of Love.
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For multi-award-winning theatre designer Gabriela Tylesova, that crucial watershed moment would prove to be even more significant, with her first major professional commission also marking the start of what would become the most enduring creative partnership of her career. Team Coco features over 25 years of comedy sketches, celebrity interviews and stand-up comedy sets from CONAN on TBS and Late Night with Conan O’Brien, as well as exclusive videos from podcasts like Conan O’Brien Needs a Friend, Literally! with Rob Lowe, Why Won’t You Date Me? with Nicole Byer, The Three Questions with Andy Richter, May I Elaborate? with JB Smoove and Scam Goddess with Laci Mosley.Every emerging artist dreams of landing the big break that reveals them as a star on the rise. Team Coco is the YouTube home for all things Conan O’Brien and the Team Coco Podcast Network. Hosted by Conan O’Brien alongside sidekick Andy Richter and house band Max Weinberg and the Max Weinberg 7, Late Night with Conan O’Brien featured unforgettable segments like “If They Mated,” “In the Year 2000,” “Desk Driving” and made a breakout star of Triumph the Insult Comic Dog. Known for its absurdist humor, hilarious celebrity interviews and featuring the best stand-up comedians and musical acts of the 90’s and early 2000s. Running from 1993-2009, Late Night with Conan O’Brien is one of the most beloved late night shows in television history.
(Original airdate: 11/27/98) Dame Judi Dench talks about becoming a Dame, attending the Oscars, and the long process of putting on her costume for “Shakespeare In Love.”
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